THE DEFINITIVE GUIDE TO CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They tend to be yearning romantics, with this change: Buster would seem a plausible mate, as well as the Tramp rarely appears to possess a libido, only idealized notions. If their comedies were built in a far more liberated time, it can be done to imagine Keaton in bed with a girl, but disquieting to think about the Tramp as a sexual remaining.When